Date of Death. As a long-standing friend of the family, and as official chapel-master to the Prince of Monaco, Boulanger was asked to organise the music for the wedding of Prince Rainier of Monaco and the American actress Grace Kelly in 1956. It is no exaggeration, then, to consider Boulanger the most important musical pedagogue of the modern or indeed any era. It poisons your life if you give lessons and it bores you. Instead of crying out and hiding, I rushed to the piano and tried to reproduce the sounds. She arranges her dynamic levels so as never to have need of fortissimo[51], In 1938, Boulanger returned to the US for a longer tour. [16][17], After leaving the Conservatoire in 1904 and before her sister's untimely death in 1918, Boulanger was a keen composer, encouraged by both Pugno and Faur. Boulanger was also a mentor to Igor Stravinsky and an ardent champion of his music when much of the musical world remained unconvinced of its genius. Then Lili died. Lili Boulanger. Under the mentorship of her father, Ernest Boulanger, and the tutelage of musical genius, Gabriel Faur at the Paris Conservatory, Nadia Boulanger had an excellent education and earned high honors as a student of organ and composition. Nadia Boulanger, French composer and educator (d. 1979) Juliette Nadia Boulanger (French: [yljt nadja bule] (listen); 16 September 1887 - 22 October 1979) was a French music teacher and conductor. In the first round of the Prix, competitors were asked to compose a vocal fugue based on a melody written by one of the jurors. Nadia Boulanger. The revival of Monteverdi, especially, is credited to Boulanger. Sadie, Julie Anne & Samuel, Rhian; eds. Philip Glass. [18], In late 1907 she was appointed to teach elementary piano and accompagnement au piano at the newly created Conservatoire Femina-Musica. We shine a light on the name you might not know, but should, of one of the greatest music pedagogues of her generation. Corrections? As Copland . During their trip, Lili, then 22, developed a lung infection, and Nadia, six years her senior, cared for her, as she always had. Died: October 22, 1979 - Paris, France. Her sister was composer Lili Boulanger, who was the first woman to win the coveted Prix de Rome award for composition. She was also appointed as assistant to Henri Dallier, the professor of harmony at the Conservatoire. Abaza(18431915) studied with teachers including, Abendroth (18831956) studied with teachers including, Abrahamsen (born 1952) studied with teachers including, Adam (18031856) studied with teachers including, Adam (1758-1848) studied with teachers including, Adams (born 1953) studied with teachers including, Adaskin (19062002) studied with teachers including, Adler (18551941) studied with teachers including, Adler (born 1928) studied with teachers including, Aitken (19081981) studied with teachers including, Alard (18151888) studied with teachers including, Alberti (16421710) studied with teachers including, Albrici (1631 1695/1696) studied with teachers including, Aldrich (19041975) studied with teachers including, Aldridge (18661956) studied with teachers including, Alexander (18911969) studied with teachers including, Alkan (18131888) studied with teachers including, lvarez (b. Famous Students. (Public domain) Nadia Boulanger was a force to be reckoned with in the 20th-century musical world. These are curiosities, no more. Nadia Boulanger was a highly influential teacher of music and also a very talented composer who became the first woman to conduct many major orchestras including the BBC Symphony, Boston Symphony, and New York Philharmonic orchestras. Her father's parents were the cellist and Paris Conservatoire teacher, Frdric Boulanger, and mezzo-soprano, Marie-Julie Halligner. "[37], In 1924, Walter Damrosch, Arthur Judson and the New York Symphony Society arranged for Boulanger to tour the USA. A festival broadens our understanding of Nadia Boulanger, the pathbreaking composer, conductor and thinker. Recommended Lists: French Female Musicians Virgo Women Awards & Achievements As one of the most famous composition teachers in music history, this French woman was responsible for training hundreds of composers. Its complicated because she is too young to fully understand and he is not young enough to give me up.. Asked about the difference between a well-made work and a masterpiece, Boulanger replied, I can tell whether a piece is well-made or not, and I believe that there are conditions without which masterpieces cannot be achieved, but I also believe that what defines a masterpiece cannot be pinned down. This freed Boulanger from some of her ties to Paris, which had prevented her from taking up teaching opportunities in the United States. Before she reached her teens, she became a star pupil at the Paris Conservatory, surrounded by students a decade older. In addition, it is virtually impossible to determine the exact nature of an individual's private study with Boulanger. [50] Describing her concerts, Mangeot wrote, She never uses a dynamic level louder than mezzo-forte and she takes pleasure in veiled, murmuring sonorities, from which she nevertheless obtains great power of expression. But the biographical reality is more complicated. She studied composition with Gabriel Faur and, in the 1904 competitions, she came first in three categories: organ, accompagnement au piano and fugue (composition). Copland, Walter Piston, Virgil Thomson, Roy Harris and Philip Glass. Boulanger was the first woman to conduct the New York Philharmonic and Boston Symphony orchestras (Credit: Getty Images). This subordinate role is one that women have often played in music history: mothers, muses and schoolmarms to the men of the canon. "[33], In the summer of 1921 the French Music School for Americans opened in Fontainebleau, with Boulanger listed on the programme as a professor of harmony. Boulangers family had been associated for two generations with the Paris Conservatory, where her father and first instructor, Ernest Boulanger, was a teacher of voice. During World War II, she taught in the United States. There she accepted a position of professor of accompagnement au piano at the Paris Conservatoire. Meet Nadia Boulanger, "The Most Influential Teacher Since Socrates," Who Mentored Philip Glass, Leonard Bernstein, Aaron Copland, Quincy Jones & Other Legends. Dont take my word for it. She dedicated herself to a lifetime of teaching, and would become one of the greatest music pedagogues in recent music history. [89] Students have described her as knowing every significant piece, by every significant composer. Nadia Boulanger was born in Paris on 16 September 1887, to French composer and pianist Ernest Boulanger (18151900) and his wife Raissa Myshetskaya (18561935), a Russian princess, who descended from St. Mikhail Tchernigovsky. [4] Nadia Boulanger (1887-1979) The story of music in the twentieth century would have been very different without the inspirational force of Nadia Boulangerconductor, pianist, organist, and teacher to some of the era's greatest composers. Daniel Barenboim. [15] She is buried at the Montmartre Cemetery with her sister Lili and their parents. [92], American School at Fontainebleau, 19211935, Weems, Katharine Lane, as told to Edward Weeks, Odds Were Against Me: A Memoir, Vantage Press, New York, 1985 p.105, The New Grove Dictionary of Music and Musicians, List of music students by teacher: A to B Nadia Boulanger, Lennox Berkeley, Sir, Peter Dickinson, Lennox Berkeley and Friends: Writings, Letters and Interviews, page 45, "1913. Show more. Boulanger was invited by Cortot to join the school, where she taught classes in harmony, counterpoint, musical analysis, organ and composition. Nadia Boulanger today is both famous and obscure in the same breath just like her sister, Lili Boulanger. To maintain her and her mother's living standards, she concentrated on teaching which was her most lucrative source of income. She won the Second Grand Prix for her cantata, La Sirne. She received her formal training there in 18971904, studying composition with Gabriel Faur and organ with Charles-Marie Widor. [10], In 1896, the nine-year-old Nadia entered the Conservatoire. She inaugurated the custom, which would continue for the rest of her life, of inviting the best students to her summer residence at Gargenville one weekend for lunch and dinner. She continued these almost to her death. Lili often stayed in the room for these lessons, sitting quietly and listening. Strangely, she didn't start out as a music lover! And that is largely how Boulanger, who died in 1979 at 92, is still remembered today, as a great teacher who taught great composers. Among her students were composers Aaron Copland, Elliott Carter, Astor Piazzolla, Philip Glass, Leonard Bernstein, Quincy Jones and Virgil Thompson. "[74] Copland recalled that "she had but one all-embracing principle the creation of what she called la grande ligne the long line in music. The impetus for our exhibition was the Harvard University Music Library's Nadia Boulanger Collection, consisting of manuscript and printed scores of Boulanger's American students, gathered over the course of her long teaching career. Many composers, over many centuries, have made emphatically clear that that question can be answered in the negative. When the cake was served, 90 small white candles floating on the pond illuminated the area. After three decades featuring male composers Dvorak and His World, Mendelssohn and His World, Schumann and His World the annual Bard festival is finally spotlighting a woman. Weakened by her work during the war, Lili began to suffer ill health. It is widely assumed that Boulanger consciously renounced composition after her sister died in order to champion Lilis music and focus on teaching. And for the first three-quarters of this century, a host of musicians, young and old, crowded around . She had arranged to give a series of lectures at Radcliffe, Harvard, Wellesley and the Longy School of Music, and to broadcast for NBC. Nadia Boulanger taught many of the 20th Centurys greatest musicians. Nadia Boulanger founded a school for Americans at Fontainebleau, outside of Paris. When the sisters arrived, the villa was mostly empty because of the war, and they quickly got to work. Leaving America at the end of 1945, she returned to France in January 1946. (1915). [16] In addition to the private lessons she held there, Boulanger started holding a Wednesday afternoon group class in analysis and sightsinging. [15] On 13 August 1977, in advance of her 90th birthday, she was given a surprise birthday celebration at Fontainebleau's English Garden. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to ourFacebookpage or message us onTwitter. Strangely, as a young child Nadia would have horrible reactions to music in the . [58] In 1942, she also began teaching at the Peabody Conservatory in Baltimore. Nadia Boulanger, 1887 916 - 1979 1022 20 . Nadia Boulanger (1887-1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. In 1907 she progressed to the final round but again did not win. Her eyesight and hearing began to fade toward the end of her life. It is largely compounded of two things, of a certain snobbishness on the part of parents, and of escape from home on the part of youth. She's also awesome. Theres one individual who arguably determined the landscape of 20th-century music more than any other: and its not Wagner, or Debussy or even Richard Strauss. Other information. By all accounts she was a fierce, uncompromising and forceful woman: charismatic, loyal and passionate but also complex and complicated. We should raise a cheer to the woman who contributed so much, with so little fanfare, to the history of 20th and 21st Century music. One of her more famous American students at this school was Aaron Copland. She also conducted the world premieres of works by her former student Copland, and others, and championed pieces by Faur and Lennox Berkley, as well as early Baroque masters Monteverdi and Schtz, who she gave touring lecture recitals on. She was organist for the premiere (1925) of the Symphony for Organ and Orchestra by Aaron Copland, her first American pupil, and appeared as the first woman conductor of the Boston, New York Philharmonic, and Philadelphia orchestras in 1938. This means that there are far fewer students pursuing postgraduate studies at tertiary institutions and universities than there are at the lower levels of education. Name. Education today need not be sought at any great distance. (2008). She passed away in 1979, but she and her curriculum are highly respected in the American music world and at the European American Music Alliance in France. Nadia Boulanger was described as being "very honest sometimes brutally honest" yet very open-minded to what her students were doing. Conyngham, Barry (2009) "Composer scaled great heights: Peter Tahourdin, 19282009", The Sydney Morning Herald, 17 August 2009, p. 18, "List of music students by teacher: A to B", Learn how and when to remove this template message, List of former students of the Conservatoire de Paris, IU Jacobs School, Indianapolis Symphony Orchestra to present free concert in Bloomington, Students Throw Adler a Musical Birthday Party, Conductor Jeffrey Milarsky Leads the Juilliard Orchestra in Annual Evening of World Premieres by Juilliard Student Composers on Monday, February 25 at 8 PM in Juilliard's Peter Jay Sharp Theater, The World's Best Music: Famous compositions for the piano, Antoine Reicha's 24 Wind Quintets: Introductory Commentary, "Rites held for Lawrence Brown, famed composer, singer, pianist", Kevin Shihoten. She also accepted students with little talent and much money. [32] However later in life she claimed never to have been involved with feminism, and that women should not have the right to vote as they "lacked the necessary political sophistication. Herman Hupfeld And then she lost both her collaborators. As for conducting an orchestra, thats a job where I dont think sex plays much part. Amen to that. Boulanger leading the Royal Philharmonic Societys orchestra in 1937, one of her many prominent conducting engagements. The first sequence that we were planning to shoot was of one of the group classes that she had been giving invariably - ritually - every Wednesday for almost sixty years: Nadia Boulanger's famous Wednesdays. Nadia Boulanger composed several choral, chamber and orchestral works, and her cantata La Sirne won second place in the 1908 Prix de Rome. "[82] She disapproved of innovation for innovation's sake: "When you are writing music of your own, never strain to avoid the obvious. And to those who must earn quickly it is often sheer waste of time. Late in 1937, Boulanger returned to Britain to broadcast for the BBC and hold her popular lecture-recitals. Nadia Boulanger held positions at many colleges and universities in France and the United States, including the Paris Conservatory, Wellesley College and Julliard. She also published a few short works and in 1908 won second place in the Prix de Rome competition with her cantata La Sirne. They spoke for half an hour after which Boulanger announced, "I can teach you nothing." Nadia Boulanger and her students at 36, rue Ballu in 1923. [15] At that time she was seen by American sculptor Katharine Lane Weems who recorded in her diary, "Her voice is surprisingly deep. If the name doesnt ring any bells, were hoping to change that and invite you to read on. [21] Still hoping for a Grand Prix de Rome, Boulanger entered the 1909 competition but failed to win a place in the final round. Is it possible that there is a mysterious element in the nature of musical creativity that runs counter to the nature of the feminine mind? Copland wondered. Among the students attending the first year at Fontainebleau was Aaron Copland. who studied with Nadia Boulanger. [85], She always claimed that she could not bestow creativity onto her students and that she could only help them to become intelligent musicians who understood the craft of composition. [38] During this tour, she performed solo organ works, pieces by Lili, and premiered Copland's new Symphony for Organ and Orchestra, which he had written for her. March 13, 2019. [26], Lili Boulanger won the Prix de Rome in 1913, the first woman to do so. Boulanger taught some of the most important twentieth century musicians across several generations and genres. She stopped writing as a critic for Le Monde musical as she could not attend the requisite concerts. Nadia was particularly critical of her American students who queued up to suffer under her rigorous demands. 80 percent of schoolchildren say more could be done to engage young people with, 13-year-old Ukrainian refugee plays poignantly on public piano, one year since the war, Mother asks TikTok to play her 10-year-old daughters melody, and a whole string, Blind 13-year-old pianists stunning Chopin nocturne performance leaves Lang Lang, Music takes 13 minutes to release sadness and 9 to make you happy, according to new. Taking this as a compliment, Gershwin repeated the story many times. b. "[86] Only inspiration could make the difference between a well-made piece and an artistic one. [65] Later that year, she was invited to the White House of the United States by President John F. Kennedy and his wife Jacqueline,[66] and in 1966, she was invited to Moscow to jury for the International Tchaikovsky Competition, chaired by Emil Gilels. In addition to Copland, Boulangers pupils included the composers Lennox Berkeley, Easley Blackwood, Marc Blitzstein, Elliott Carter, Jean Franaix, Roy Harris, Walter Piston, and Virgil Thomson. Alexander, Josef. During May 2018, we (Hope College students Michaela Stock and Sarah Lundy) left Holland, MI for two weeks of research in Paris. 6 Nadia Boulanger opened countless doors for Copland. The present concept album brings together selections from famous students played, sometimes a little tentatively, by the cellist Astrig Siranossian and pianist Nathanael Gouin, with three pieces by Nadia Boulanger herself tossed off by Siranossian with Daniel Barenboim at the piano. She taught everyone who was anyone in the 20th century, from Copland to Elliott Carter. I was [there] for seven years. "[7] After this, Boulanger paid great attention to the singing lessons her father gave, and began to study the rudiments of music. The affaire fugue had taught her that she could succeed if she didnt draw too much attention to herself, so she acted as a transparent mediator of the canon rather than an ambitious personality in her own right. She was responsible for bringing to life a number of ground-breaking world premieres. She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist. She treated students differently depending on their ability: her talented students were expected to answer the most rigorous questions and perform well under stress. Boulangers name remains largely unknown outside niche classical music circles, despite the astonishing impact she had on the soundtrack to all our lives, not just in the realm of classical but in jazz, tango, funk and hip-hop. Date of Birth. It was in 1973, Nadia Boulanger was eighty-six, and we were just starting work on a film that I wanted to make of her. [6] In 1892, when Nadia was five, Raissa became pregnant again. Her memory was prodigious: by the time she was twelve, she knew the whole of Bach's Well-Tempered Clavier by heart. Read Bard Music Festival 2021: Nadia Boulanger and Her World Programs 2+3 by Fisher Center at Bard on Issuu and browse thousands of other publica. Her list of [] She began her career as a composer, but gave it up at the age of 33 to devote her time to teaching. Nadia Boulanger, largely remembered today as a highly influential teacher of composers, was also a conductor and composer herself. Her recordings of Monteverdis madrigals were a landmark in the early music movement. Classic Talent B000002K49 (2000), Le Baroque Avant Le Baroque. [15][46], Boulanger's long-held passion for Monteverdi culminated in her recording six discs of madrigals for HMV in 1937, which brought his music to a new, wider audience. [60] In 1953, she was appointed overall director of the Fontainebleau School. [44], Her mother Raissa died in March 1935, after a long decline. [74] She saw teaching as a pleasure, a privilege and a duty:[75] "No-one is obliged to give lessons. Ernest and Raissa had a daughter, Ernestine Mina Juliette, who died as an infant[5] before Nadia was born on her father's 72nd birthday. From 1920 on, she was on the faculty of the American Conservatory at Fontainbleu. [24] When her studies ended, she began teaching Boulanger's students the rudiments of music and solfge. [8], Her sister, named Marie-Juliette Olga but known as Lili Boulanger, was born in 1893, when Nadia was six. [3], Ernest Boulanger had studied at the Paris Conservatoire and, in 1835 at the age of 20, won the coveted Prix de Rome for composition. Death of Nadia Boulanger Nadia Boulanger, never married. She made her Paris debut with the orchestra of the cole normale in a programme of Mozart, Bach, and Jean Franaix. On Friday, Nadia Boulanger, the most remarkable woman of 20th-century music, will be 90. List of Students of Nadia Boulanger This is a list of some of the notable people who studied with French music teacher Nadia Boulanger (1887-1979). The most influential teacher since Socrates is how one leading contemporary composer describes Nadia Boulanger. It is estimated that it had more than 1,200 students, many of them world famous This extraordinary and talented teacher of musicians, died in Paris at the age of 92, in 1979. [40], In 1936, Boulanger substituted for Alfred Cortot in some of his piano masterclasses, coaching the students in Mozart's keyboard works. Hiller Egbert: Einbrche des Unvorhersehbaren, Neue Zeitschrift fr Musik, Mainz: Schott Verlag, 4/2010, p.62f, Rob Young, The Wire, Jan 2006 Unsound Thinker. [31], In 1920, Boulanger began to compose again, writing a series of songs to words by Camille Mauclair. Nadia encouraged her students to take in as much music as possible. Nadia, like Lili, had also entered the Paris Conservatoire to study composition at the tender age of 10, but she never received much acclaim as a composer. Boulanger attended the premiere of Diaghilev's ballet The Firebird in Paris, with music by Stravinsky. Nadia was drawn into Lili's expanding war work, and by the end of the year, the sisters had organised a sizable charity, the Comit Franco-Amricain du Conservatoire National de Musique et de Dclamation. Her grandfather, Frdric Boulanger won first prize for the cello in his fifth year (1797) at . She taught many of the leading composers and musicians of the 20th century, and also performed occasionally as a pianist and organist. Each individual poses a particular problem. She made plans to do so herself. [47] Not all reviewers approved her use of modern instruments. Her pupils, the so-called Boulangerie, included such luminaries-to-be as Aaron Copland, Philip Glass and Quincy Jones. About us. 'Swain, Freda (Mary)' in, John Tilbury: Personal Archive Recordings, Dutch Composer Louis Andriessen Highlighted In Carnegie Hall Residency, Hard Rubber Orchestra: Andriessen Project, Obituaries: Eric Stokes, 68, Minneapolis composer, Piano Lessons with Claudio Arrau: A Guide to His Philosophy and Techniques; Page 203, "Leonid Bolotine, 87, Violinist and Guitarist", Bibliotheksservice-Zentrum Baden-Wrttemberg, "Friedrich Wilhelm Marpurg. . In November, she became the first woman to conduct a complete concert of the Royal Philharmonic Society in London, which included Faur's Requiem and Monteverdi's Amor (Lamento della ninfa). Boulanger was born in the late 19th century and lived to the ripe old age of 92, passing away in 1979. Her influence as a teacher was always personal rather than pedantic: she refused to write a textbook of theory. Henry George Ley", "The Deseret News Google News Archive Search", The Viennese School Teachers and Followers: Alban Berg, "Harumi Kurihara, Selected Intermediate-Level Solo Piano Music of Enrique Granados: A Pedagogical Analysis", "Roderic von Bennigsen - The Biography of the Maestro", "The Hague String Trio - Celebrating Women! Green, Janet M. & Thrall, Josephine (1908). To Nadia, her own works were now useless. Noted as the first woman to conduct the London Philharmonic Orchestra, she received acclaim for her performances. Leonard Bernstein. She gave 102 lectures in 118 days across the US. Those are the students from whom she would demand the most, ask the toughest questions but, also, protect, defend and promote, as her protgs with the greatest energy. I hope this is helpful. Boulanger in her apartment in Paris, which became a kind of musical salon, around 1925. During this period, she also received religious instruction to become an observant Catholic, taking her First Communion on 4 May 1899. She's also awesome. Edwin Michael Richards, Kazuko Tanosaki; eds. In fact, she hated music until age 5. Very few colleges prepare their students for any special work.Mary Roberts Rinehart (18761958). The family moved to Sebring when she was in . A residency at the villa was typically awarded to the winner of the Prix de Rome, a major competition for French composers; Lili had won in 1913, but an earlier visit to Italy had been interrupted by the outbreak of World War I. Its quite a stretch to make the imaginative leap from the salons of early 20th Century Paris to the disco-strewn beats of Quincy Jones, producer of choice for everyone from Frank Sinatra to Aretha Franklin to Michael Jackson. [80], When she first looked at a student's score, she often commented on its relation to the work of a variety of composers: for example, "[T]hese measures have the same harmonic progressions as Bach's F major prelude and Chopin's F major Ballade. Through her early years, although both parents were very active musically, Nadia would get upset by hearing music and hide until it stopped. When Pugno toured without her, she fell into spells of intense self-doubt. Ruth Lee Still passed away in Sebring on February 24, 2023. Although she was a performer, a composer, and a conductor of some of the world's great orchestras, it was through her genius as a pedagogue that Nadia Boulanger won renown. Neither Boulanger nor Annette Dieudonn, her lifelong friend and assistant, kept a record of every student who studied with Boulanger. She studied there with Faur and others. She took private lessons from Louis Vierne and Alexandre Guilmant. Nadia Boulanger, (born Sept. 16, 1887, Paris, Francedied Oct. 22, 1979, Paris), conductor, organist, and one of the most influential teachers of musical composition of the 20th century. [25], In April 1912, Nadia Boulanger made her debut as a conductor, leading the Socit des Matines Musicales orchestra. [12], In 1900 her father Ernest died, and money became a problem for the family. 1956) studied with teachers including, Alwyn (19051985) studied with teachers including, Anacker (179018) studied with teachers including, Andreae (18791962) studied with teachers including, Andricu (18941974) studied with teachers including, H. Andriessen (18921981) studied with teachers including, L. Andriessen (19392021) studied with teachers including, Ansorge (18621930) studied with teachers including, Antheil (19001959) studied with teachers including, Antonini (19011983) studied with teachers including, Aprile (17311813) studied with teachers including, Arensky (18611906) studied with teachers including, Argento (born 1927) studied with teachers including, Arnell (1917-2009) studied with teachers including, Arom (born 1930) studied with teachers including, Arrau (19031991) studied with teachers including, Artt (18351907) studied with teachers including, Asencio (1908-1979) studied with teachers including, Ashley (19302014) studied with teachers including, Attwood (1765-1838) studied with teachers including, Auber (17821871) studied with teachers including, Aubert (18771968) studied with teachers including, Aubin (19071981) studied with teachers including, Auer (18451930) studied with teachers including, Austin (born 1930) studied with teachers including, Avison (17091770) studied with teachers including, Ayrton (1734-1808) studied with teachers including, Baaren (19061970) studied with teachers including, Babbitt (19162011) studied with teachers including, A. W. Bach (17961869) studied with teachers including, C.P.E. (Rosenstiel, Nadia Boulanger, 215-16. Johanna Mller-Hermann Karel Navrtil [ pupils] Dragan Plamenac [21] Anton Webern [ pupils] Egon Wellesz [ pupils] Oskar Adler [ edit] Hans Keller [22] Arnold Schoenberg [ pupils] [23] Samuel Adler [ edit] this teacher's teachers Kathryn Alexander Martin Amlin [24] Claude Baker [25] Roger Briggs [26] Jason Robert Brown [27] David Crumb [28] It is frankly unimaginable that a man with a similar degree of influence over 20th Century music would have been so ignored.
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