In the 60's, in Berlin, two British agents that are investigating a Neonazi ring are murdered. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); 2021 Crime Fiction Lover. The movie wants to be more Le Carre than Fleming (the nods to the latter fall flat with a couple of fairly underpowered car-chases and a very unconvincing fight scene when Segal first tries to escape his captors) but fails to make up in suspense what it obviously lacks in thrills. Quiller leaves the Konigshof Hotel on West Berlin's Kurfurstendamm and confronts a man who has been following him, learning that it is his minder, Hengel. Much quieter and understated than most spy flicks. The British Secret Service sends agent Quiller to investigate. Oh, there are some problems, and Michael Anderson's direction is. In conclusion, having recently watched "Quiller's" almost exact contemporary "The Ipcress File", I have to say that I preferred the latter's more pointed narrative, down-home grittiness and star acting to the similar fare offered here. Blu-ray, color, 105 min., 1966. The newspaper clipping that Hengel gives to Quiller, in the cafe when they first meet, shows that a schoolteacher called Hans Heinrich Steiner has been arrested for war crimes committed in WW2. Very eerie film score, I believe John Barry did it but, I'm not sure. Michael Anderson directs a classy slice of '60s spy-dom. In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate.In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate. After their first two operatives leading the field mission are assassinated in subsequent order, the British Secret Service recruit Quiller, an American agent, to continue to lead that field operation, namely to discover the base of operations of a new Nazi organization in West Berlin, they whose general members hide in plain sight in blending in with all walks of West German society. If you have seen this movie, and it leaves you very dissatisfied or with a bunch of bright orange question marks, don't worry ! Harold Pinter was nominated for an Edgar Award in the Best Motion Picture category, but also didn't win. It's not often that one wishes so much for a main character to get killed, especially by NAZI's. The only really interesting thing is the way we're left spoiler: click to read in the end. Please refer to the appropriate style manual or other sources if you have any questions. The Quiller Memorandum came near the peak of the craze for spy movies in the Sixties, but its dry, oddly sardonic tone sets it apart from both the James Bond-type sex-and-gadget thrillers and the more somber, "adult" spy dramas such as Martin Ritt's The Spy Who Came In from the Cold (1965). The love interest between Quiller and Inge (Senta Berger) developed with no foundation. I just dont really understand the ending to a degree. In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate. The third to try is Quiller, an unassuming man, who knows he's being put into a deadly game. He steals a taxi, evades a pursuing vehicle and books himself into a squalid hotel. He is British secret agent Kenneth Lindsay Jones. When Quiller decides to investigate the building, Inge says she will wait for him, while Hassler and the headmistress leave one of their cars for them. Quiller meets his controller for this mission, Pol, at Berlin's Olympia Stadium, and learns that he must find the headquarters of Phoenix, a neo-Nazi organization. The film is a spy-thriller set in 1960s West Berlin, where agent Quiller is sent to investigate a neo-Nazi organisation. But soon he finds that she has been kidnapped and Oktober gives a couple of hours to him to give the location of the site; otherwise Inge and him will be killed. Quiller wakes up beside Berlin's Spree River. aka: The Quiller Memorandum the first in a series of 19 Quiller books. His romantic interest is Senta Berger, whose understated and laconic dialog provides the perfect counterpoint to Segal's character. The burning question for Quiller is, how close is too close? - BH. Slow-moving Cold War era thriller in the mode of "The Spy Who Came in from the Cold," "The Quiller Memorandum" lacks thrills and fails to match the quality of that Richard Burton classic. He does this in a lone-wolf way, refusing to be hampered by bodyguards. They have lots of information about the film, but inexplicably take ten minutes to explain how the Cold War conflict between Communism and Capitalism relates to . Released at a time when the larger-than-life type of spy movie (the James Bond series) was in full swing and splashy, satirical ones (such as "Our Man Flynt" and "The Silencers") were about to take off, this is a quieter, more down-to-earth and realistic effort. The Mysterious Case of the Alperton Angels by Janice Hallett, Norwegian crime show Witch Hunt comes to Walter Presents, The Wall: Quebec crime show comes to More4, Irish crime drama North Sea Connection comes to BBC Four, The complete guide to Mick Herrons Slough House series. The first thing to say about this film is that the screenplay is so terrible. The cast is full of familiar faces: Alec Guinness, who doesn't have much of a role, George Sanders, who has even less of one, Max von Sydow in what was to become a very familiar part for him, Robert Helpmann, Robert Flemyng, and the beautiful, enigmatic Senta Berger. . His understated (and at times simply wooden) performance here can be a tough sell when set against the more expressive comedic persona he cultivated in offbeat 1970s comedies like Blume in Love, The Owl and the Pussycat, Wheres Poppa?, California Spilt, and Fun With Dick and Jane. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. I know several spy fiction fans who rate Quiller highly; I'd read a couple and thought they were only OK, plus seen and enjoyed the film (which fans of the novel tend to dislike). He calls Inge and arranges to meet. Neo-Nazi plot On the surface, we get at least some satisfying closure to the case of the clandestine neo-Nazi gang. The nation remained the home of the best spies. The book and movie made a bit of a splash in the spy craze of the mid-sixties, when James Bond and The Man From Uncle were all the rage. He believes this is explained early years like a priest, ending in this page numbers were both the end, bibi andersson and actor. It keeps the reader engrossed right up to the last couple of lines. But good enough to hold my interest till the end. Quiller confronts a man who seems to be following him, revealing that he (Quiller) speaks German fluently. On the other hand, the female lead is played by the charming Senta Berger, then aged 25, who does very well, and manages to be enigmatic, and gets just the right tone for the story. For my money, the top three cold war spy novelists were Le Carre, Deighton, and Adam Hall. One of the first grown-up movies I was allowed to go see by myself as an impressionable adolescent (yes, this was some years ago now) was the Quiller Memorandum, with George Segal. Michael Sandlin is a writer and academic based in Houston, Texas. The screenwriter, Harold Pinter, no less, received an Edgar nomination. ): as a result, they were summarily bumped off with stereotypical German precision. He accepts the assignment and almost immediately finds that he is being followed. I'm generally pretty forgiving of film adaptations of novels, but the changes that were made just do not make sense. Inge tells him she loves him, and he tells her a phone number to call if he is not back in 20 minutes. This was the first book, and I liked it. A handful of engaging spy thrillers followed before the author paused his novels to focus on journalism, although its also worth noting that he has freelanced. The film magnificently utilizes West German locations to bring the story to life. 2 decades after the collapse of Nazi Germany, several old guard are planning to (slowly) rebuild. The Quiller Memorandum strips the spy persona down to its primal instincts, ditching the fancy paraphernalia in favor of a rather satisfying display of wits and gumption. Read 134 reviews from the world's largest community for readers. Written by Harold Pinter from the novel by Adam Hall Produced by Ivan Foxwell Directed by Michael Anderson Reviewed by Glenn Erickson The enormous success of James Bond made England the center of yet another worldwide cultural phenomenon. Quiller then returns to his hotel, followed by the men who remain outside. Get help and learn more about the design. I'll give this horribly dated film a generous **1/2 rating anyway; hell, you don't see a cast as great as this one every day! It was nominated for three BAFTA Awards,[2] while Pinter was nominated for an Edgar Award for the script. It was time for kitchen-sink alternatives to the Bond films upper-crust Empire nostalgia, channeled as it was through a tuxedoed, priapic Anglo toff committing state-sponsored murder in service of Her Majestys postcolonial grudges. , . Hall's truncated writing style contributes to this effect. In a feint to see if Quiller will reveal more by oversight, Oktober decides to spare his life. America's leading magazine on the art and politics of the cinema. I enjoyed the book. After the interview, he gives her a ride to her flat and stops in for a drink. Quiller admits to Inge that he is an "investigator" on the trail of neo-Nazis. A highly unusual and stimulating approach that draws us into the story. An American secret agent called Quiller (George Segal) working for MI6 (whose chief is George Sanders) travels to Berlin to uncover a deadly Neo-Nazi band . In fact, he is derisory about agents who insist on being armed. This is one of the worst thriller screenplays in cinema history. Segal plays Quiller with a laconic but likeable detachment, underlining the loneliness and lack of relaxation of the agent, who can- not even count on support from his own side. ago Just watched it. Clumsy thriller. But admittedly its a tricky business second-guessing his dramatic instincts here. See production, box office & company info, Europa-Center, Charlottenburg, Berlin, Germany. It relies on a straight narrative storyline, simple but holding, literate dialog and well-drawn characters. Unfortunately, the film is weighed down, not only by a ponderous script, but also by a miscast lead; instead of a heavy weight actor in the mold of a William Holden, George Segal was cast as Quiller. Having just read the novel, it's impossible to watch this without its influence and I found the screen version incredibly disappointing. It is credible. Before long, his purposefully clumsy nosing around leads to his capture and interrogation by a very elegantly menacing von Sydow, who wants to know where Segal's own headquarters is! American agent Quiller (George Segal) arrives in Berlin and meets with his British handler Pol (Alec Guinness). I read the whole Quiller series when I was younger, and loved it. Fairly interesting spy movie, but doesn't make much sense under close scrutiny. He is shot dead by an unseen gunman. Watchlist. The protagonist, Quiller, is not a superhuman, like the James Bond types, nor does he have a satchel full of fancy electronic tricks up his sleeve. A few missteps toward the end so that a few of the twists felt thin and not solidly set up, but overall very nicely plotted and written. A much better example of a spy novel-to-film adaptation would be Our Man in Havana, also starring Alec Guinness. Pretending to be a reporter, Quiller visits the school featured in the article. As usual for films which are difficult to pin down . Like Harry Palmer, Quiller is a stubborn individualist who has some rather inflated ideas of being his own man and is contemptuous of his controlling stuffed-shirt overlords. The classic tale of espionage that started it all! Have read a half dozen or so other "Quiller" books, so when I saw that Hoopla had this first story, I figured I should give it a listen to see how Quiller got started. Another characteristic of Halls style isthe ending of chapters with a cliff hanger. Quilleris a code name. From the latest Scandinavian serial killer to Golden Age detective stories, we love our crime novels! Quiller, a British agent who works without gun, cover or contacts, takes on a neo-Nazi underground organization and its war criminal leader. (What with wanting to go to sleep and wanting to scream at the same time, this film does pose certain conflict problems.) But for today's audiences, those films are a bit old fashioned and not always very easy to follow, too much complicated. I listened to the audio version narrated by Andrew B Wehrlen and found it an utterly engaging tale. A spy thriller for chess players. Hengel gives Quiller the few items found on Jones: a bowling alley ticket, a swimming pool ticket and a newspaper article about a Nazi war criminal found teaching at a school. They both go to the building, whereupon they are captured. 1966. This time he's a spy trying to get the location of a neo-Nazi organization. Apparently, it was made into a classic movie and there is even a website compiled by Trevor devotees. Because the books were written in the first person the reader learns very little about him, beyond his mission capability. Thought I'd try again and found this one a bit dated and dry - I will persevere with the series, Adam Hall (one of Elleston Trevor' many pseudonyms) wrote many classic spy stories, and this one is considered one of his best. In typically British mordant fashion, George Sanders and a fellow staffer in Britain are lunching in London on pheasant, more concerned with the quality of their repast than with the loss of their man in the field! With a screenplay by Harold Pinter and careful direction by Michael Anderson, the movie is more a violent-edged tale of probable, cynical betrayal by everyone we meet, with the main character, Quiller (George Segal), squeezed by those he works for, those he works against and even by the delectable German teacher, Inge Lendt (Senta Berger) he meets. When Quiller returns to his hotel, a porter bumps Quiller's leg with a suitcase on the steps. En route he has some edgy adventures. Quiller, an agent working for British Intelligence, is sent to Berlin to meet with Pol, another operative. The film illustrates the never-ending game of spying and the futility that results as each mission is only accomplished in its own realm, but the big picture goes on and on with little or no resolution. The story, in the early days of, This week sees the release of Trouble, the third book in the Hella Mauzer series by Katja Ivar. As Quiller revolves around a plot that's more monstrously twisted than he imagines it to be . While the Harry Palmer films from 1965 to 1967 (Ipcress File, Funeral in Berlin, and Billion Dollar Brain) saw cockney Everyman Michael Caine nail the part of Palmer, who was the slum-dwelling, bespectacled antithesis to Sean Connerys martini-sipping sybarite. And although Harold Pinters screenwriting for Quiller doesnt strike one as being classically Pinteresque, occasionally his distinct style reveals itself in pockets of suggestive menace where silence is often just as important as whats spoken. He notices the concierge is seated where he can see anyone leaving. Hes lone wolf who lives or dies by his own actions a very clean and principled approach to espionage. Quiller, a British agent who works without gun, cover or contacts, takes on a neo-Nazi underground organization and its war criminal leader. This well-drawn tale of espionage is set in West Berlin, 15 years after the end of WW II. The plot holes are many. Required fields are marked *. Michael Anderson directs a classy slice of '60s spy-dom. The photo shows a man in Luftwaffe (airforce) uniform. This isn't your standard spy film with lots of gunplay, outrageous villains, and explosions. Corrections? A crisply written story that captured my attention from beginning to end. They are not just sympathisers though. It out the quiller? closing theme, This page was last edited on 26 January 2023, at 11:13. Newer. In the process, he discovers a complex and malevolent plot, more dangerous to the world than any crime committed during the war. At the 1967 BAFTA Awards the film had nominations in the best Art Direction, Film Editing and Screenplay categories, but did not win. Oktober demands Quiller reveal the Secret Intelligence Service (SIS) base by dawn or Inge will be killed. With George Segal, Alec Guinness, Max von Sydow, Senta Berger. And will the world see a return of Nazi power? Von Sydow (one of the few actors to have recovered from playing Jesus Christ and gone on to a varied and lengthy career) is excellent. How nice to see you again! and so forth. And the legendary John Barrycomposer of the original Bond themeprovides appropriately haunting incidental music here. I loved seeing and feeling the night shots in this film and, as it was shot on location, the sense of reality was heightened for me. Following the few leads his predecessor Jones had accumulated, Quiller finds himself nosing around for clues in the sort of unglamorous places in which Bond would never deign to set footbowling alleys and public swimming pools, especially. The setting is Cold War-divided Berlinwhere Quillertackles a threat from a group ofneo-Nazis whocall themselves Phoenix. A satisfyingly cynical spy thriller with George Segal, Alec Guinness and Max Von Sydow; and a script by Harold Pinter, Decent and interesting spy thriller with great cast and impressive musical score by John Barry in his usual style. And he sustains the same high level of quality over the course of nineteen books. A man walks along a deserted Berlin street at night and enters an internally lit phone box. The brawny headmistress points Quiller in the direction of Inge (Senta Berger), who happens to be the only English-speaking teacher at the school. In this first book in the QUILLER series, undercover agent Quiller is asked to take the place of a fellow spy who has recently been murdered in Berlin, in identifying the headquarters of an underground but powerful Nazi organization, Phnix, twenty years . It looks like we don't have any synopsis for this title yet. An American agent is sent to Berlin to track down the leaders of a neo-Nazi organization, but when they . The setting is Cold War-divided Berlin where Quiller tackles a threat from a group of neo-Nazis who call themselves Phoenix. I had to resist the temptation to fast forward on several occasions. It was from the quiller memorandum ending of the item, a failed nuclear weapons of Personalized Map Search. So, at this level. The shooting on location in Berlin makes it that much more thrilling. The Quiller Memorandum is a film adaptation of the 1965 spy novel The Berlin Memorandum, by Trevor Dudley-Smith, screenplay by Harold Pinter, directed by Michael Anderson, featuring George Segal, Max von Sydow, Senta Berger and Alec Guinness.The film was shot on location in West Berlin and in Pinewood Studios, England.The film was nominated for 3 BAFTA Awards, while Pinter was nominated for an . The Quiller Memorandum, British-American spy film, released in 1966, that was especially noted for the deliberately paced but engrossing script by playwright Harold Pinter. This is a nom de plume for author. For example, when the neo-Nazi goons are sticking to Quiller like fly paper, wasn't he suspicious when they did not follow him into his hotel? Special guests Sanders and Helpmann bring their special brand of haughty authority to their roles as members of British Intelligence. [3], In a contemporary review for The New York Times, critic Bosley Crowther wrote: "Clearly, 'The Quiller Memorandum' is claptrap done up in a style and with a musical score by John Barry that might lead you to think it is Art. In the West Berlin of the 1960s, two British agents are killed by a Nazi group, prompting British Intelligence to dispatch agent Quiller to investigate. Despite an Oscar nomination for "Who's Afraid of Virginia Woolf?," Segal's strength lies in light comedy, and both his demeanor and physical build made him an unlikely pick for an action role, even if the film is short on action. Quiller works for the Bureau, an arm of the British Secret Service so clandestinethat no-one knows itexists. Ian Nathan of Empire described the film as "daft, dated and outright confusing most of the time, but undeniably fun" and rated it with 3/5 stars. See for instance DANDY IN ASPIC too, sooo complex and fascinating in the same time. Segal plays a secret agent assigned to ferret out the headquarters of a Neo-Nazi movement in Berlin. Quiller goes back to the school and confronts Inge in her classroom. 1 jamietre 8 mo. Pol tells Quiller the fascist underground is far more organized and powerful in Germany than people believe. In many ways, it creates mystery through the notion of exploring "mystery" itself. (UK title). The quarry for all the work is old Nazi higher officials who are now hiding behind new names and plotting to return Germany to the glory days of the Third Reich, complete with a resurrected Fhrer twenty years after the end of WW II. Oktober also wants to know the location of the British base in Germany and uses drugs in Quiller to get the information but the skilled agent resists. The Quiller Memorandum. The Quiller character is constantly making terrible decisions, and refuses to use a gun, and he's certainly no John Steed. Guinness appears as Segal's superior and offers a great deal of presence and class. The film was shot on location in West Berlin and in Pinewood . The Quiller Memorandum 1966, directed by Michael Anderson | Film review The Quiller Memorandum Film Time Out says The thinking man's spy thriller, in as much as Harold Pinter wrote the script. Nobel prizes notwithstanding I think Harold Pinter's screenplay for this movie is pretty lame, or maybe it's the director's fault. That makes the story much more believable, and Adam Hall's writing style kept me engaged. The film starred George Segal in the lead role, with Alec Guinness supporting andwas nominated for three BAFTAs. The scene shot in the gallery of London's Reform Club is particularly odious. The setting is the most shadowy "post WWII Berlin" with the master players lined up against each other - The Brits and The Nazi Heirs. Not terribly audience-friendly, but smart and very, very cool. Director Michael Anderson Writers Trevor Dudley Smith (based on the novel by) Harold Pinter (screenplay) Stars George Segal Alec Guinness Max von Sydow See production, box office & company info After a pair of their agents are murdered in West Berlin, the British Secret Service for some unknown reason send in an American to investigate and find the location of a neo-Nazi group's headquarters. This demonstration using familiar breakfast food items serves to stimulate the American spys brainwaves into serious operative mode. NR. Cue the imposing Max Von Sydow as Nazi head honcho Oktober, whose Swedish accent is inflected with an Elmer Fudd-like speech impedimentthus achieving something like a serviceable German accent. Sadly the Quiller novels have fallen out of favour with the apparentend of the Cold War. We never find out histrue identity or his history. The Quiller Memorandum, based on a novel by Adam Hall (pen name for Elleston Trevor) and with a screenplay by Harold Pinter, deals with the insidious upsurge of neo-Nazism in Germany. Nimble, sharp-toothed and sometimes they have to bite and claw their way out of a dark hole. The ploy works as one, two or all three of those places were where the Nazis did learn about Quiller, who they kidnap. Press J to jump to the feed. Fresh off an Oscar nomination for the mental anguish he suffered at the hands of Richard Burton and Liz Taylor in Whos Afraid of Virginia Woolf (also 1966), George Segal seems, in hindsight, a dubious choice to play the offbeat Quiller. Agent Quiller is relaxing in a Berlin theater the night before returning to London and rest after a difficult assignment when he is accosted by Pol, another British agent, with a new, very important assignment. Can someone explain it to me? Quiller would have also competed with the deluge of popular spy spoofs and their misfit mock-heroes: namely, Dean Martins drinking-and-driving playboy agent Matt Helm (The Silencers, Wrecking Crew) and James Coburns parody of Bondian suavity, Derek Flint, in the trippy spy fantasias Our Man Flint (1966) and In Like Flint (1967). Quiller awakes in a dilapidated mansion, surrounded by many of the previous incidental characters. All Rights Reserved. This was a great movie and found Quillers character to be excellent. Commenting on Quiller in 1966, The New York Timessomewhat unfairlywrote off Segals performance as an unmitigated bust: If youve got any spying to do in Berlin, dont send George Segal to do the job. The reviewer then refers to Quiller as a pudding-headed fellow (a descriptive phrase that sounds more 1866 than 1966). Quiller had the misfortune to hit cinemas hot on the heels of two first-rate examples of Bond backlash: Martin Ritts gritty The Spy Who Came in from the Cold and the first (and easily best) entry in the acclaimed Harry Palmer trilogy, The Ipcress File, both released in 1965. Segals laconic, stoop-shouldered Quiller is a Yank agent on loan to the British government to replace the latest cashiered Anglo operative in West Berlin. Languid, some might say ponderous mid-60's British-made cold-war drama (it could scarcely be called a thriller, more "The Spy Who Came In From The Cold" than, say "Thunderball") that for all its longueurs, does have some redeeming features. This one makes no exception. For example operatives are referred to as ferrets, and thats what they are. . In . Quiller: At the end of our conversation, he ordered them to kill me. Quiller is surprised to learn that no women were found. The Quiller Memorandum is a 1966 British neo noir eurospy film filmed in Deluxe Color and Panavision, adapted from the 1965 spy novel The Berlin Memorandum, by Elleston Trevor under the name "Adam Hall", screenplay by Harold Pinter, directed by Michael Anderson, featuring George Segal, Alec Guinness, Max von Sydow and Senta Berger.
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